Skip to Content

Massively looks at the best free to play games

Warner Brothers »

Review: The Blind Side

Filed under: Sports, New Releases, Warner Brothers, Theatrical Reviews, Family Films

The Blind Side

The trailers for The Blind Side triggered my "oh geez, another sports-related Triumph of the Human Spirit" cynicism, and I might not have seen the film at all if I hadn't been assigned to review it. That would have been my loss, and I experienced the lovely surprise of having a movie turn out far more enjoyable than I expected. The Blind Side has no twists or gimmicks other than being a very good example of a sports-related family film, with quality performances and writing.

The movie's title is a football reference, which the voiceover of Leigh Anne Touhy (Sandra Bullock) explains at the beginning. Michael Oher (Quenton Aaron) is sweating out a tough but unspecified situation in an office, when we flash back a few years and meet him as Big Mike. An African-American staff member at a mostly white Christian private school is trying to get his athletic son into the school, and the school's coach also spots some athletic potential in Big Mike, granting him a scholarship. Big Mike has terrible trouble keeping up in school, and when his friend's family stops helping him out, he is virtually homeless -- sleeping in the school gym, eating popcorn left there after events, wearing the same thin clothes daily.

MGM Studios Officially For Sale

Filed under: Deals, Executive shifts, Lionsgate Films, MGM, Warner Brothers, RumorMonger, Distribution, DIY/Filmmaking, Newsstand, James Bond

MGM Studios' financial troubles will soon be coming to a sad end. Back in September, it was reported that MGM was in such poor shape that they might be forced to auction off their assets, including James Bond and The Hobbit. That day has come to pass. Variety reports that MGM Studios is officially on the auction block.

MGM has been given a month of breathing space from their interest payments, time they plan on using to begin "a process to explore various strategic alternatives including operating as a standalone entity, forming strategic partnerships and evaluating a potential sale of the company."

But all hopes of survival may rest on what they sell off from their glorious history, including a library of 4,000 titles, the logo, the United Artists company, James Bond, and half ownership in The Hobbit. Time Warner, News Corp, and Lionsgate are said to be interested in all of the above.

As their library scatters to the four winds, it'll be really interesting to see what remakes and reboots it spawns. Remember, Robocop was on the MGM remake slate, and surely some hungry studio will snap that up. The Cannon Films and ITV Global Entertainment collections are just ripe for harvesting. Perhaps you'll finally see a Lifeforce movie, or a remake of Capricorn One, or an aspiring Tarantino type will buy up all those American International Picture rights and revive motorcycle gang movies. Sure, we all want to know who will wind up with James Bond, but it'll be far more fascinating if someone tries to remake Psych-Out. *


*It's possible this is considered one of AIP's "early" films, though it's unclear where that cut off date is.

'Clash of the Titans' Trailer Now Online!

Filed under: Sci-Fi & Fantasy, Warner Brothers, Movie Marketing, Comic/Superhero/Geek, Trailers and Clips


In a scant twelve years, Louis Leterrier has gone from being a production assistant on Alien: Resurrection to directing what has just, with a single trailer, become one of my most anticipated films of 2010: Warner Brothers' remake of Clash of the Titans. Sure, he has progressively proven himself a champion of the fantastic, evolving from The Transporter series to last year's The Incredible Hulk, but as much as I've been impressed by his eye for spectacle thus far, I wasn't ready for how fun his take on Titans looks. It's just our first look, but I couldn't stop smiling by the end of this teaser.

And yet, I don't know why I should be so surprised. The original is, after all, a landmark fantasy film packed with Ray Harryhausen's indelible stop-motion imagery. Add on Leterrier commanding a great cast ranging from Liam Neeson to Ralph Fiennes to Sam Worthington, and a script whose bones were written by Raiders of the Lost Ark screenwriter Lawrence Kasdan before WB brought in the duo of Phil Hay and Matt Manfredi to flesh things out. Perhaps the shock of seeing this trailer came from just how indelible Harryhausen's Titans actually were. I knew it would undergo an extreme visual overhaul, but in the back of my mind I was still expecting stop-motion giants, not Troy by way of God of War.

There's nothing stop-motion about this new re-envisioning of the wars between Gods and men. Purists will not be on board with the amount of digital wizardry, but any fan of seeing mythological worlds brought to life should be in love with the energy Leterrier has infused in his Clash of the Titans. You can see for yourself after the jump, then click over to Moviefone to grab it in a variety of HD flavors. Additionally, we've got some fantastic screenshots in the gallery below.

'Sgt. Rock' Looks to the Future with Francis Lawrence

Filed under: Action, Sci-Fi & Fantasy, Deals, Warner Brothers, Scripts, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek, War

Once upon a time, Sgt. Rock was in the hands of Guy Ritchie, and many an Easy Company fan was upset. But you'll undoubtedly wish that Ritchie and Joel Silver had made it to the finish line, because Sgt. Rock will not make it to the big screen in a form you'll recognize. According to The Hollywood Reporter, he has a new director in Francis Lawrence and a whole new space-time continuum. Joel Silver is still on board as producer, and he's bringing Akiva Goldsman on board to help. They've hired newcomer Chad St. John to pen the script.

As you may or may not know, Sgt. Rock is a WWII soldier. He's always fought in WWII. The poor guy has never even gotten to leave the European theater. (It was rumored in Swamp Thing that he was transferred to the Pacific, but never confirmed.) Any attempt at a movie adaptation has always gone forward with this central idea of keeping him in his element. But budget, politics, and popularity has always been an issue, and no one believes you can make The Dirty Dozen in this day and age unless you're Quentin Tarantino. So Warner Bros has decided to bypass the drama, and put Sgt. Rock in the future. CG is cheaper than Nazis, and a nondescript soldier of the future is less problematic than an American fighting a good fight. (While no war is a good war, I do think we can all agree that fighting Nazis was a good thing.)

Nothing else is known about this storyline, so I hate to jump to a knee-jerk conclusion as to who or what Sgt. Rock will face there, or whether he will be transported to the future from WWII. But I think this is an unfortunate thing to do to a character who resides in WWII for a very specific and honorable reason. The last thing he should become is a Universal Soldier or Terminator ripoff.

Review: The Box

Filed under: Sci-Fi & Fantasy, Thrillers, Mystery & Suspense, Warner Brothers, Theatrical Reviews



Richard Matheson's original short story, "Button, Button," was a nifty little morality tale about a couple faced with a peculiar opportunity -- if they push a button in a box, they'll get a sum of money but kill a stranger in doing so. That version of the story ended with the wife pushing the button and killing her husband, a man she didn't really know. As an episode of "The Twilight Zone" in 1986, the story ended with the couple paid off and assured that the device would then go to another couple to whom they qualify as strangers. Now, Richard Kelly's The Box takes that same basic premise and spins it into a mind-bender of the most baffling degree, starting out as another "Twilight Zone"-worthy variant but eventually reaching the outer limits of both patience and reason.

'Yogi Bear' Will Cry Me A River With Its Cast

Filed under: Animation, Comedy, Casting, Warner Brothers, Family Films, Newsstand, Remakes and Sequels

Yogi Bear and Boo Boo are bringing sexy back -- and that image should make you ripe for nightmares tonight. If you doubt me, look to Variety, who reports that Dan Aykroyd, Anna Faris, and Justin Timberlake are set to go to Jellystone in Yogi Bear, which Eric Brevig is directing for Warner Bros.

Aykroyd will be voicing Yogi, and he really is the most obvious choice to play the picnic basket thief. He's funny, he sounds gruff, and if it was live-action it would be a very terrifying thing to see. So thank goodness this is being done as a CG / live-action hybrid.

Timberlake will be voicing Boo Boo. Yep. The man who wants to love your mother, put his d*ck in a box, and who will cry you a river will lend his vocal talents to playing Yogi's diminutive sidekick. In this update of the Hanna-Barbera cartoon, expect Boo Boo to be a lot more of a smart aleck. (I was going to say "sassy," but I think that would be a far different Boo Boo.)

Though Faris has done voice work before, it sounds as though she might be one of the live action elements to this unholy hybrid. Variety says she's set to play a documentary filmmaker. Presumably she discovers the tourist robbing bears, and makes a film of them. Or she has to help them preserve Jellystone against evil developers. Either way, she'll have to talk to big rubbery CG bears, and it might be kind of weird. What would be even weirder is if one or both bears fell in love with her, so let's hope she falls into the arms of whoever plays Ranger Smith. Shooting is expected to start in New Zealand next month.

Making The (Up) Grade: Heat

Filed under: Warner Brothers, Fandom, Home Entertainment


Every few years, it seems necessary in the course of critiquing home video releases to clarify and designate the difference between all of those terms that distributors and producers come up with to describe films that arrive in stores in a version other than their theatrical iteration. For example, "unrated" no longer simply means that a film is too bawdy or offensive to garner a proper MPAA rating; rather, in many cases it means that the studio re-inserted footage, and didn't bother to screen it for the ratings board at all. "Director's cuts," meanwhile, sometimes really reflect the original vision of a filmmaker for his movie, and sometimes just qualify as an alternate version that was supervised or approved by the director. And most importantly, none of these changes are an automatic indication that the film will be superior to the one that you saw in theaters, even if there's a little more gore or nudity or (God forbid) character development.

Ironically, the new Blu-ray for Heat carries no such designation – to anyone buying it, this is the same film they saw in theaters and on standard-definition DVD. However, at the top of the list of the disc's special features, the topline attraction is "new content changes supervised by director Michael Mann." Even for someone who's seen more than his share of extended, alternate, unrated and director's cuts, this was particularly intriguing, which is why Heat is the subject of this week's "Making The (Up) Grade."

Morgan Freeman Wants To Be a 'Dirty Old Man'

Filed under: Comedy, Romance, Deals, Warner Brothers, Scripts, Newsstand

While Morgan Freeman has dabbled in comedy in his long and illustrious career, I don't think he's ever really gotten a chance to really cut loose. He certainly hasn't gotten to play in the raunchy end of the pool, but it sounds as though he's taking the leap in Dirty Old Men. The Hollywood Reporter says that he's attached to star as an aging playboy in the tentatively titled project, and we'll either be laughing or horribly traumatized by his efforts.

Men was penned by Josh Cagan and Greg Coolidge, and is said to be similar in tone to The Wedding Crashers and The 40 Year Old Virgin. It centers on two aging playboys who have been each other's wingmen for over 40 years. One of them meets the love of his life, leaving the other (played by Freeman) to chase skirts on his own. Well, that just won't do. The lonely playboy does everything he can to break up the new couple. I will bet money there's at least one I-hid-the-Viagra scenario. No, I don't like to think about it.

Peter Segal is in talks to direct, and the hunt is on for the playboy-husband-to-be. Warner Bros is hoping Jack Nicholson will take the part and reteam with his Bucket List buddy. But if he turns it down, may I humbly suggest they look to Freeman's real life wingman, Clint Eastwood? If Viagra jokes must be made, let them be the two that make them.



Moon Bloodgood's Topless 'Terminator: Salvation' Scene: Worth the 'R' Rating?

Filed under: Action, Sci-Fi & Fantasy, Warner Brothers, RumorMonger, Fandom, Home Entertainment, Remakes and Sequels

Moon Bloodgood in 'Terminator: Salvation'What's happened to all the great movie nudity lately? Billy Crudup started the year off with a bang, so to speak, with his big blue penis in Watchmen, and Marcus Nispel's Friday the 13th reboot featured sweaty sex and generous amounts of naked female flesh, but the summer and fall seasons have been curiosly bereft of talked-about sex scenes or body parts. Jessica Biel's bravely-bared breasts and backside in Powder Blue went direct to video, Hayden Panetierre nonchalantly limited her exposure to 'side boobage' in I Love You, Beth Cooper, and Megan Fox decided to keep her nipples to herself in the proudly feminist relationship drama ('cause it sure wasn't horror) Jennifer's Body.

In my youth, movies educated me about the wonderful diversity of naked bodies. Today, television and the Internet have stolen much of the thunder once claimed exclusively by the theatrical experience. (Case in point: Susan Sarandon's daughter, Eva Amurri, just made a big splash by going topless in Californication.) No wonder Terminator: Salvation director McG teased the audience at WonderCon earlier this year, bringing actress Moon Bloodgood up on stage and asking: "Who wants to see Moon's boobs in the picture?" She later said: "I'm a woman, I have boobs, it's a beautiful shot." As anyone who saw the movie in a theater knows, though, her toplessness was cut, reportedly as part of Warner Bros.' effort to secure a PG-13 rating.

The unrated director's cut is due out on DVD and Blu-ray on December 1, and the deleted scene has, apparently, hit the Internet (watch it after the jump). The verdict?

Charlize Theron and Tom Hardy Confirmed for 'Mad Max'

Filed under: Action, Sci-Fi & Fantasy, Casting, Warner Brothers, Fandom, Newsstand, Remakes and Sequels

After weeks of breathless speculation as to who would be riding George Miller's bleak highways of Mad Max: Fury Road, there's been a conformation. Variety reports that Charlize Theron has boarded the film, but that it'll be Tom Hardy (Bronson) who takes over the coveted lead. The script is being kept under tight wraps, so we still don't know if Mad Max: Fury Road will be a reboot or a sequel. Speculation has been rampant for more than twenty years, and as is the case with so many revived franchises, we'll probably end up being terribly wrong. Hopefully for the better.

So, we only know that Hardy is playing "the male lead. Will it be the Mad Max, made so iconic by Mel Gibson? Or will Max have taken on some kind of mythological, Robin Hood like status in the barren wasteland, and someone simply takes on the title? It could go either way (but hopefully not the way of Kevin Costner's The Postman), and I'm excited that Hardy has the part. He's been one of those actors lurking under The Really Big Time, and this could be the film that pushes him into stardom.

Theron's role might be the biggest and coolest surprise. She's a big enough name that I can't believe she'll be shoved into a corner as The Wife of Mad Max. Will she be a post-apocalyptic warrior too? I hope so. With so few remnants of humanity left, you need all the badasses you can get. It would be nice to see that reflected beyond Tina Turner.

 
.